GNAWA WITH NIKKI II:

CITIES, DIASPORAS AND DUAL IDENTITY

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Merzouga, southeastern Morocco (one of the first Gnawa Sahara stops)

NOTE: Technical issues arose last time, but there'll be screen-sharing

so you can view what I do!

Main Index Blog Intro

GNAWA INDEX

There is also a chance to try the Polyrhythm

Pattern Generator and make

your very own Gnawa sequence digitally.

Hear 'Lalla Aicha' in the heptatonic scale here!

Maalem Mahmoud Gania - Lalla Aicha (Heptatonic, Updated)

DIASPORIC AFRICAN POWER  GNAWA LIVE STREAM I (GNAWA LIVE STREAM III ( GNAWA LIVE STREAM IV ( GNAWA LIVE STREAM V ()
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(Music of the Gnawa of Morocco: Evolving Spaces and Times, pg. 135)

Chama Mechtaly is an Amazigh-Jewish

artist/human rights

activist with a beautiful perspective and background.

She painted Lalla Mimouna, and

7th-century Queen Kahena

who was also Amazigh and proud in her Judaism.


Morenica: Femme et Foi en Méditerranée (“Women and Faith in the Mediterranean”)

"Mimouna is also a festive occasion

celebrated by Moroccan Jews

at the end of Passover where Muslim

neighbors traditionally visit

Jewish homes carrying baked goods and leavened foods

that aren’t allowed in Jewish homes during Passover.

The story of Passover is a story

of slavery, freedom, desert

crossing and miracles, very similar to that of Gnaoua."

(Sephardi Ideas Monthly)


Gnawa Ethnicity and Dual Consciousness/Meaning

Gnawa ethnicity and traditions have primarily

been Central and West African, and partially

indigenous North African.

They were banned by Moulay Abdelaziz

for this reason (text [Villes et tribus du Maroc,

vol. III-VIè, Rabat et sa région]).

But persistent, cultural influences

via regional communities

(plus a traumatic migration route)

remain through memory

and song (The Space of Africanness).

Gnawa tell us about old Malian Empire cities, Tombouctou,

tribal dances, saints and past accomplishments or hardships.

Gnawa originally lived in modern

Burkina Faso, Ghana, Mauritania,

Mali, Senegambia and even Morocco (Afropop).

They (the 11th century onward) were treated as

enslaved collateral along caravan

routes, especially after expulsion from Muslim lands for

Indigenous spirituality.

Multiple groups and languages are part

of Gnawa: Amazigh (Holidway),

Sahelian to the extent that these languages and sounds:

takamba, tende, gulu drums affected its

name and structure; French and

Spanish from each colonial era; Sephardic,

northern African Jewish.

Remember, it only takes 52 days to reach southeastern Morocco from Timbuktu.


Maalem Mahmoud Gania - Sheshiyat Bambara (vI)
(Moroccan Tape Stash)

MIMOUNA

Mimouna is both a holiday feast after Pesach (Passover) in Judaism:

the emancipation of Israeli refugees in Egypt by Moses, or Sidi Musa

after God spared their first-born children during

the night...and a Gnawa melk or spirit.

Mimouna in Gnawa has a West African link too.

You say 'Tarbakhu utsa' adu' and share five of

several symbolically bountiful items.

Each custom for Mimouna centers the night and

how it can be a joyful yet observant time:

both the Gnawa lila and Jewish Seder

during the month Nissan.

The initial Passover day in 2020 is

April 9 (April 8 for Israel)!

And Gnawis' first main feast is during

 Sha'aban before Ramadan,

April 1 to April 30.

Both feasts feature similar items: fruits

like dates and figs (Haaretz/

The Nomadic Alternative, spreads and

milk under certain conditions,

preserved shank bones from animal meat to respect

sacrifice, unsalted bread (Les Gnaoua...).

There's a fascinating 20-year-old thesis about this,

The Cuisine of Morocco: Origins and Ritual Significance.

What's a ke'ara (Seder plate)?

What's a Tabieka?

A platter in Gnawa public and private ceremonies.


(Music of the Gnawa of Morocco: Evolving Spaces and Times)

Moroccan Jews have an affinity to Mimouna

alongside Gnawa because Lalla

Mimouna is a guardian

(especially in Marrakech,

she symbolizes the door to Sudan).

Bambara could be a main ancestor too,

since Gnawi Mohcine el Kostany

understands 'gna' to mean village.

Group Gnaouas de Tizounine sing in

Amazigh, Darija and Bambara.

This is the Draa area, four hours from Sidi Jilali's zawiya.

Miloud Taifi is an Amazigh-Moroccan

scholar who researched further

(Dictionnaire Tamazight-Amazigh: Parlers du Maroc Central).

Insight arrives through his Gnawa

etymology, since ignawen

throughout the country means dark,

thunder or the opposite: mute.

Pierre-Alain Claisse's translation of Maurice Delafosse's 1912

Haut-Sénégal-Niger (Soudan français) reveals that Kenawa was

interchangeable with Gnawa as a

reference to darker-skinned

African people.

And it's a Hausa word alongside others in the tradition.

Did you know akal-ignawen means 'land of the Black people'?

Kufan Kanawa is a medieval site in former Kano, Niger

(Ethnoarchaelogy in the Zinder Region).

Nigerien biram master or Malam Maman Barka.

He is Toubou, a northeastern Nigerien

and Saharan ethnicity who roam

ancestral provinces through the Sahel, Muslim

like the Fula, Maninke and others.

Gnawa Diaspora on a Map and More Ritual Details



(Map Route)

These ancient Moroccan cities are where many

Gnawa live, like Agadir, Merzouga,

Casablanca, Fes, Khamlia, Essaouira,

Marrakech, Rabat, Tangier.

Different ones feature their own styles: Marsaoui (Essaouira),

Marrakchi (Marrakech) with its daqa

marrakchi trademark clapping,

slower guembri playing. Issawa has more sway here.

Who are the maallems of each city?

Last week we mentioned Abdenbi el Gadari (Marrakech),

Maalems Abdellah el Gourd (Tangier), Paco

and Mahmoud Guinia (Essaouira)

who are no longer with us.

Trace their legacy from the family tree to other musicians,

like Jimi Hendrix who learned a different roots style,

and of course Gnawa as a whole.

There's the Boussous (originally Chadean), late Maalem Hmida and his son

Hassan from Casablanca. Hmida would play with Randy Weston (true story).

Read Maalem Hassan's Medi1 Radio interview.

Maalems Abdelkader and Abderrahim Benthami (father and son)

are Casablancan. Asmaa and Rachid Hamzaoui are too.

Maalem Hamid el Kasri's name comes from

the northern city Ksar el Kbir.

This should clear details up.


Salamatu plays the Hausa gurmi, or gurumi in Niger.
A guembri parent? You bet.

Music from the Villages of Northeastern Nigeria

Perhaps Guinea, Mali, Niger, Nigeria and Senegal

were the most prominent places

for this diaspora. Much like Mimouna, the specific truth is lost

(but not fully) to time. As for the Jewish diaspora in Morocco?

They have lived there for over

2,500 yearsnow, since 587 B.C.E.

when Babylon destroyed Jerusalem

(an event that Black Rastafarians

and the Abrahamic faiths reference occasionally).

Sephardic Jewish bonds with maallems

and neighborly Muslims

led to Saturday songs, Sebitiyin, that were composed pre-Shabbat.

They shared mazune (fruit or

vegetable jam), moufleta (honey

pancakes), beloved mint tea and their stories.

Innov Gnawa (Maalem Hassan Ben Jaafar,

Nawfal Atiq, Samir LanGus,

Ahmed Jeriouda, Amino Belyamani,

Said Bourhana) dedicated a

performance to this Gnawa

(African/Sufi)-Judaic confluence.

Association Mimouna  MIMOUNA  Mimouna: Passover's Best-Kept and Sweetest Tradition  The Visible And The Invisible: The 14th Festival of Essaouira Gnaoua et Musiques du Monde

African Slaves in Islamic Lands  Moroc 'N Roll: Gnawa Style  Who Are Gnaoua  CyberGnawas (Archived)